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Does contemporary christian music belong in the local church worship service?

 Contemporary Christian Music and the Local Worship Service

(An article by Dick Healy)

 

 

With the advent and emergence of contemporary Christian music in the church of Jesus Christ comes the need to examine this phenomenon within the scriptures to fully understand its’ place in the church of Jesus Christ and our worship activities within the church. Before embarking on this road it is essential for all reading this thesis to understand that this is about revealing what God’s Word has to say about worship practice and Biblical principles that relate to the practice. Scripture must be the final authority on all that happens in His church and we will be held accountable when it is not.

 

I have been troubled for sometime about the strife and division this movement has caused in the church. Prior to this demand by certain parties that we (the church) must introduce contemporary music in the church service in order to attract the younger population or to be culturally relevant there was for the most part unity in the church and a unified spirit of corporate worship because “worship” was being conducted according to Biblical principles. That being said one may conclude that my premise is that our present contemporary worship style lacks biblical principle. One coming to that conclusion would be correct. If one continues through this thesis with an open mind, I believe that they must come to the same conclusion.

 

Repeatedly in the Old Testament God judged His people for false worship. Exodus 32 says they were punished for both worshipping false gods and worshipping God falsely. In the book of Acts in the New Testament all references to worship are rebukes of false worship. In Exodus 32:4-6, Israel had come to the place where God was going to personally give them His Word. They missed it. Their self-appointed “worship leader” made a golden calf, called it god, rocked out the music, added dancing and eventually immorality, and called it worship. This led the people into God’s judgment; it was an abomination to God. Aaron (the first worship leader) led the people in dance and music to worship in Egypt’s style. How does this compare to what is taking place with the contemporary music in worship today?

 

Ron Owens in his book, Return to Worship, talks of “the rise of the chorus finds the death of the hymn”. We are stealing from this generation and consequently from future generations, our greatest heritage and our greatest teaching tool. Martin Luther used the power of hymns as he sent out singing groups to teach the people doctrine (Colossians 3:16) which played a great part in the Reformation.

 

Lowell Davey, President of Bible Broadcasting Network in his perspective has great concern that a pastor or worship leader may close the hymn book and eliminate the traditional instruments and steal our greatest tool for teaching the Truth to the next generation and beyond. It is like serving the appetizer and forgetting the main course if we neglect the hymns.

 

Michel Horton, a professor of apologetics and historical theology states that current contemporary/blended worship bespeaks consumerism, marketing and “a modern therapeutic orientation in its preaching, liturgy and music’. Horton adds “such worship echoes the example in the book of Nehemiah in which the Torah was read from the platform and listeners wept in confession of sins as a people and as individuals. Horton continues that the dangers of modern worship, with its long stretches of praise music, is not that one will be smitten by an angry God or lose salvation, but that one might not know God properly. Typically, (modern) praise choruses don’t focus on what God has done for us in Christ but on my response to all of that. I praise you, I serve you. I, I, I. The music has shifted from rehearsing Christ’s work in the history of redemption. Worship is not about the I s, but is about Christ (or should be).

 

Professor Robert Webber, a non denomination Christian and professor at Northern Baptist Theological Seminary and author of many books on this subject states “that too much praise music” is about my personal experience with God and not reflective of what worship ought to be, which is God’s mission to the world, to save and restore the whole creative order. It’s an epistemological shift from the objective work of God to my subjective experience.

 

Romans 12:1&2 reads, “1And so, dear brothers and sisters, £ I plead with you to give your bodies to God. Let them be a living and holy sacrifice—the kind he will accept. When you think of what he has done for you, is this too much to ask? 2Don’t copy the behavior and customs of this world, but let God transform you into a new person by changing the way you think. Then you will know what God wants you to do and you will know how good and pleasing and perfect his will really is.” I believe what verse two is saying regarding this subject is, DO NOT FASHION YOURSELF ACCORDING TO THE PATTERN OF THE WORLD. Think about it, isn’t that the opposite of what we are doing in allowing the “PATTERN OF WORLD”, the beat, the rhythms and the styles of secular music to be used in the worship service of Jesus Christ. We are to be in the world but not of the world. John 15:19 reads, “19The world would love you if you belonged to it, but you don’t. I chose you to come out of the world, and so it hates you.” And Titus 2:12-14 states “12And we are instructed to turn from godless living and sinful pleasures. We should live in this evil world with self-control, right conduct, and devotion to God, 13while we look forward to that wonderful event when the glory of our great God and Savior, Jesus Christ, will be revealed. 14He gave his life to free us from every kind of sin, to cleanse us, and to make us his very own people, totally committed to doing what is right.” My question to you is how can God be pleased with a style of worship music that patterns itself after the immorality and sinful ways of the world?

Rick Warren in his book The Purpose Driven Life, states “One thing worship cost us is our self-centeredness. You can not exalt God and yourself at the same time. You don’t worship to be seen by others or please yourself. You deliberately shift the focus off yourself. Dan Lucarini in his book, Why I left the Contemporary Christian Music Movement reveals from first hand experience how contemporary music in worship is about performance, sensuality, bodily movement brought about by the beat and rhythm of the music. Changing the words of a song set to secular, worldly music does not sanctify the song and make it acceptable for use in the Christian Church.

 

To be totally fair and objective on this issue we need to look at how those presently in the Contemporary Christian Music Industry view the status of Contemporary Christian Music. Twenty year veteran, Contemporary Christian Music Recording Artist Steven John Camp has published his 107 Theses: A Call for Reformation in the Contemporary Christian Music Industry. In his theses Mr. Camp is very critical of the present day Contemporary Christian Music Industry which is responsible for much of the content used in our present contemporary Christian songs used in the worship setting of many churches today, including FBC Defiance. While Mr. Camp presents issue after issue with the contemporary Christian music of today one of the most, if not the most telling indictment, is the movement on the slippery slope away from the three basic characters of the Christian faith. He says; “In the past several years there has been a not so-subtle drifting away from the Christocentric music to an anthropocentric music. Sadly this has resulted in various visible manifestations of spiritual sedition—where currently, the CCMI finds itself on a slippery slope away at accelerated speeds from the Savior, the Scriptures and the church.” What a damming indictment of this “style” of music and yet the church has invited and endorsed such in its worship services with little to no scrutiny.

 

My prayer is that anyone reading this paper would take the time to read Mr. Camp’s entire theses which is available on the following website www.worship.com/steve_camp_107_theses.html or you may want to check out Mr. Camp’s website at audienceone.com for other insightful articles and information relative to the Christian faith.

 

Mr. Camp believes that music created by Christians, amounts to a ministry and should glorify God by proclaiming God’s Word precisely. Contemporary Christian music “has committed a spiritual adultery in joining itself with the wayward world,” a reference to secular companies’ ownership of Christian music labels such as Word, Sparrow and Star Song. “I remember the days when people actually sang about the Lord and weren’t ashamed of it, now it’s simply marketing technique. It’s simply money.” He said other artists have told him privately that record labels have pressured them to leave words such as “Jesus,” “God,” and “sin” out of their songs.

 

Of course, there are those within the Contemporary Christian Industry and movement that take issue with Mr. Camp’s indictments but there are tons of supporters in Christian Radio and Christian retail who find much truth in his conclusions, according to the managing editor of an industry publication, The Contemporary Christian Music Update. But then Martin Luther had his critics within who feared the truth. Could the same be true of those within the $1 billion a year industry who have threatened to “bury Mr. Camp” if he continues the criticism? This “bury Mr. Camp” approach definitely sounds more like the worlds approach than the Christians approach…doesn’t it?

 

What is there about the contemporary Christian music in our churches today? Is it the biblical and theological accuracy of the words or is it the beat and rhythm of the music that excites our senses and emotions? Each of use has to individually give account for ourselves. But, we in leadership of the church have a much higher accountability and responsibility according to scripture.

 

Might each of us seek the Lord’s will in this matter with an open heart and mind to be conformed to the image of Christ.

8 Comments on Does contemporary christian music belong in the local church worship service?

  1. How stupid, closeminded, and arrogant you are. You remind me of a church member who was aggravated that we didn’t sing everything out of the broadman hymnal. He felt that choruses weren’t of God. Songs like I See the Lord (Isaiah 6), Isaiah 43 , Made Me Glad, right out of the Psalms. You people are the ones who keep others from coming to church and finding out that Jesus loves them. You’d rather mold them into what you believe they should be instead of what God wants them to be. You make me sick. You pompous blow hards who think you know God’s mind. Contemporary Christian Music is leading people to God that you wouldn’t even let in your hypocritical church. God bless the artists who write and sing today’s contemporary Christian music and God bless the churches who reach those that you won’t!!

  2. I agree that there has long been a shift towards using a lot of “I” in many praise/worship songs, not only in CCM; that the most recurring subject of new Christian songs today focus on the personal response of the “I” towards Jesus Christ & redemption. Personally, I’m not comfortable either with this too-much emphasis on the “I” subject, but I’m not ready to agree with Dick Healy that such songs are just it: a mere narrative of “subjective experience” with God.
    Because if that is the case, let’s judge that sweet, old hymn, “My Jesus, I Love Thee” as one of the many earliest examples of “subjective experience” songs invading what ought to be church worship focusing on the “objective work of God,” and let us do so to the many other church hymns that sounds a lot like “My Jesus, I Love Thee”–you know, those with lots of I’s in it?
    The statements of Mr. Healey, while he forwards a very good point of concern for all of us especially those active in the musical aspect of the Lord’s work, sounds very much like how my 60-plus year old uncle commented against the music of today: “Frank (Sinatra), Matt (Monro), Nat (Cole)–ah, now that’s music! Today? Bah, there ain’t been no such thing as music after those guys!” Only that Mr. Healey gilded his with God.
    I am of the opinion, and I agree with Lee McGowan, that to declare that churches with “too much praise music” (so that these have given sentence to death the hymn and given power to the chorus) are not worshiping biblically is to be presumptious as to what is in the hearts of people, and thus, is to be judgmental!
    There’s a lot of history in the development of music through the ages, and how it influenced the development of church or Christian) music. To limit our observations & analysis on a limited scope of time, population or phenomena would give us nothing more than a very limited picture of the truth–if that is true with professional or true research, then it is true in this case. It is true that many of our Christian artists have compromised the faith with their decision to reap the rewards of following the way of the world, but NOT ALL. It is true that many Christian songs smacks too much of self-scrutiny, but NOT ALL. NOT ALL contemporary Christian songs are anywhere near what Mr. Healey (and others like him) thinks, and so NOT ALL chorus-singing & praise-loving churches are unbiblical or akin to what happened with Aaron and the Israelites in Sinai. TO DECLARE SUCH JUDGMENT TO ALL SUCH CHURCHES OUGHT TO RANK THE ONE WHO JUDGES AS GOD, TOO…don’t you think?
    Anyway, who has the final say whether when we sing hymns or choruses or praise songs, we are truly worshiping biblically? “…the LORD weighs the hearts.” (Prov. 21:2)
    Let me say this to fellow Christians & musicians who play the guitar, bass & drums–let not such human judgments deter us from seeking the Lord Jesus Christ! He has put music in our hearts, and has ordained praise in our mouths that we may glorify Him with all our might! Let His doctrine fill our songs, and let the promise of salvation ring with our praise!

  3. I have read this article and I think that most Christian contemporary music has left Jesus Christ our of the Picture by teaching people to call Him “he”, “him” or “I”. How can a true Christian experience thrue worship if in the Hymns he is not reminded of the payment for his sins througth the work of Jesus Christ Himself in a Hymn. When most people from modern contemporaty churches regard Jesus Christ as “him”, “he” and “I” as in their contermorary modern hymns we know whe have a problem in our hands.
    I challenge moss contemporary musiciansand Chistian composers to write about SIN, JESUS CHRIST HIMSELF AND GOD ANGER FOR SIN AND LOVE TO RESQUE THE SINNER THROUGH JESUS CHRIST and HIS BLOOD.

  4. Unknown's avatar ARKAY847 // June 10, 2008 at 1:31 am //

    “Using electric guitars, passionate vocals and drum kits beating out killer back-beats” . . . seems to me to parallel night club jargon I was exposed to as a kid! When I cannot distinguish rock radio station sounds from “Christian Contemporary” sounds, and words are indistinguishable, I believe groups are less effective than they think. Perhaps “Christians” are wrapped up in self image and the thrill of performance more than glorifying God!

    Yes, I’m a 74-yr-old retired church musician and high school choral director. Does that disqualify me from expressing a valid point?

    And all God’s children said . . .

  5. I belong to large church in Metro-Atlanta that has excellent contemp. music, and a super communicator as its teaching pastor.

    People are coming to the Lord left and right, and people who haven’t been to church in 20 years now attend every Sunday, and mature believers are being fed . .. all at the same time, despite all the other churches around us who criticize all the time.

    How many folks are coming to the Lord in these other ‘traditional’ irrelavant churches?

    How many other churches are there that have waiting lines to get into the worship service?

    Some churches need to put a fence around, charge admission, and say “this is how church was done in the 50’s and 60’s”.

    Anyhow….don’t get me started.

    Dave

  6. Wow! I am shocked at some of the comments in this forum. Thank you to Deftone, Rick and especially Lee! I am a worship musician at my church where the worship portion of the service is considered to be an integrel part of the message. I have been a musician most of my life and played alot of secular music, both original and covered and been inspired and have learned much from many musicians that don’t play christian music. I was also an alcoholic and drug addict most of my adult life. I finnaly found my way to Christ and have come to believe that my God given talents were given to me to play worship music in order to inspire others. Since I started doing so I have developed an even deeper relationship with God and have had many people tell me of the healing they have experianced at worship. I challenge any of you fearfull people to find anything wrong with that!!! Do I like and listen to all Christian music? NO! Do I think all christian music is appropriate for worship? NO!!! There are so many artists out there right now who’s love for Jesus and his message are so obvious and genuine and because of that so much music that speaks to people in the way I believe God intended. Rick mentioned the band Third Day who happen to be my personal favorite. In one of their songs they speak of the many forms of pain that we experiance in life and that no matter what it may be, all you have to do is “Cry out to Jesus” , in another they proclaim that “Nothing Compares” to the greatness of knowing you Lord! Finally I will quote from the latest song I am learning called “Sweetly Broken” by Jeremy Riddle.
    “What a priceless gift, undeserved life,
    have I been given, through Christ crucified”. I could go on and on but I hope you get my point!
    Feel free to comment to me directly if you want at mattmurdocknofear@hotmail.com
    thank you Matthew

  7. Wow, lotsa thinking errors in here. Where do we start? First of all, I have a tough time telling somebody when/where/how they can find God, and when/where/how they can’t. Call me crazy, but the Holy Spirit works through a lot of different kinds of music, not just the ones that have been accepted by traditional protestant churches. Reverence can mean many things to many people; it’s the heart that God is most concerned with. Personally, I’ve never felt the Holy Spirit at a more compelling level than when I’ve been at a Third Day concert. In case you’re wondering, Third Day is a group of Christian musicians who play a modern blues/neo-alternative style of music. Basically, they rock, and I believe that God Himself is quite pleased at the praising that takes place every time they get together to praise with a few thousand other Christians.

    I whole-heartedly reject your flawed premise here. It’s elitist, at best, and counter-Christian at worst.

  8. Hello my name is Lee McGowan. I am a Sunday school teacher and assist the Youth Director in alot of aspects. I have been reading alot of commentaries about keeping the contemporary christian music out of the church. I promise you this you will have to answer to by the Lord.

    The specific topic I am speaking of HOW TO KEEP CONTEMPORARY CHRISTIAN MUSIC OUT OF THE CHURCHES.

    I will address your first exert about DC TALK. They have done some great things for the Lord. I know from these same media aspects that you use that many have come to know Christ through their music. They were some of the first people of the new generation to let kids know that it was cool to be a Jesus Freak. We no longer have to be quiet and subdue to be something that we shouldn’t be, and that is to let people run over us. I agree that these guys have had some questionable things go on in there lives, however so did Brother Hank Williams. Who is that you might ask? Well if you are as versed as you say you are then you should know. Although if the name does not ring a bell I will break it down for you.

    “Country gospel is genuine currency of the realm, a timeless message that transfers seamlessly from generation to generation.

    Williams himself, who was the original country star who set the pattern for sinning on Saturday night and seeking redemption on Sunday morning, seemingly looked into the face of eternity with the lyrics of “I Saw the Light.”

    He wrote it in 1948: I wandered so aimless, my life filled with sin/I wouldn’t let my dear savior in/Then Jesus came like a stranger in the night/Praise the Lord, I saw the light.

    This song has seen many at the alter giving there life over to God and semmingly enough it was written by a sinner. However you have heard it time and time again sang from behind the pulpit. Some where that only the annointed things should be. Is it to say that this song is not annointed by God? If so why do you sing it in those old time religion meetings of yours? God bless you. Want some more?

    Lets go with the song If We Never Meet Again This Side Of Heaven, written by one of the biggest sinners in American history. He was an adulter, alcoholic, drug addict, and liar.But yet you say that this is a great song and it has touched many lives. I would agree. Especially when my Grandmother used to say that one little phrase to her grand kids all the time. God bless her! For see has gone on to be with the Lord. As many would guess this song was written by Johnny Cash. Although I feel he made things right with God before he left this ole world, never the less he was a sinner that wrote a song for you to sing and was a sinner till his later years.

    Now let me ask you a serious question. Have these songs touched your life at anytime? If they have then you are no more a Saint than I am by your standards on me for listening to and playing the music this generation does. Who are you or anybody else on the face of this world that God has created to judge me or anyone else for what God has annointed? I say to you and anyone else that has judged anyone for what they say has touched their heart and brought them into a new revelation of what God is bringing forth today in the music that is being played across the air waves and in the churches.

    If King David were to be sitting on the front pew at your next church service, would you sing I Saw the Light or would you throw your guitars and piano away and scatter around to get a Harp so that he would “fit in”?

    Another thing you always want to throw the phrase around that God is the same yesterday, today, and forever around when it is convienient for you when you address us as a younger generation. I agree with that, not as a convienience, but as a reality that just because God parted the Red Sea for Moses does not mean that he will part it for you. To tell the truth, you nor I, could handle the strict aspect in which the the church was set before us in Paul’s days. I am sure you would agree that you could not do it and would rather be content with the way things are today.

    E. M. Bartlett was a noted songwriter of hymns and Southern Gospel songs. In 1918, he became a founding partner in the Hartford Music Company. Like many music publishers of the day, Hartford began sponsoring traveling quartets who in turn promoted their products. In 1926, Albert E. Brumley joined the company and Bartlett served as his mentor.

    In his career, Bartlett wrote a number of songs that are now Southern Gospel standards including “Everybody Will Be Happy Over There” and “Just a Little While to Stay Here.” Bartlett also wrote the occasional novelty song, including “Take An Old Cold Tater And Wait” (later popularized by Little Jimmy Dickens). His best-known song was one of his last, the classic hymn “Victory In Jesus.” It was written in 1939 just two years prior to his death in 1941. Bartlet’s name was added to the SGMA Hall Of Fame in 2000

    I myself have enjoyed many of E.M. Bartlet’s hymnal tunes, but just as you have posted on you web site about the secular mix of CCM and other music, even the very songs you have relished over the years you do not know everything there is to know about theses people. You have taken alot of comments out of text and twisted it the way you want it for your benefit. This is just as wrong as what you are claiming of the CCM industry.

    Another aspect of music alot of people do not talk about is the book of Psalms. I have an old vynal record in my closet that I sometimes pull out and listen to when I don’t feel like reading. It is an album the Jimmy Swaggert recorded many years ago. He took the whole book of Psalms and recorded it to music. Well you might say “That is okay!”, that is the way that King David wrote them.
    David did not write them with a piaono in mind, or a guitar, or any other instrament in mind except a harp or psaltery which is the “instament of ten strings” the Bible is referencing too.
    Psalm 33:2
    Praise the LORD with harp: sing unto him with the psaltery and an instrument of ten strings.
    Psalm 92:3
    Upon an instrument of ten strings, and upon the psaltery; upon the harp with a solemn sound.
    Psalm 144:9
    I will sing a new song unto thee, O God: upon a psaltery and an instrument of ten strings will I sing praises unto thee.

    A psaltery is a stringed musical instrument of the harp or the zither family. The psaltery of Ancient Greece (Epigonion) dates from at least 2800 BC, it was a harp-like instrument. Etymologically the word derives from the Ancient Greek ψαλτήριον (psalterion) “stringed instrument, psaltery, harp” and that from the verb ψάλλω (psallo) “to touch sharply, to pluck, pull, twitch” and in the case of the strings of musical instruments, “to play a stringed instrument with the fingers, and not with the plectron” (Liddell and Scott, A Greek-English Lexicon)

    In the King James Version of the Bible, “psaltery”, and its plural, “psalteries”, is used to translate the Hebrew keliy in Psalm 71:22 and I Chronicles 16:5; nevel in I Samuel 10:5; 2 Samuel 6:5; I Kings 10:12; I Chronicles 13:8; 15:16, 20, 28; 25:1, 6; II Chronicles 5:12; 9:11; 20:28; 29:25; Nehemiah 12:27; Psalms 33:2; 57:6; 81:2; 92:3; 108:2; 144:9; and 150:3; and pesanterin in Daniel 3:5, 7, 10, and 15.

    In the Christian era a psaltery consisting of a soundboard with several pre-tuned strings that are usually plucked, came into use. It was also known by the name canon from the Greek word κανών, “kanon” which means rule, principle and also “mode”. The modern Greek folk instrument is called by its diminutive, kanonaki. The instrument is usually small enough to be portable; its shape and range vary. It is depicted in a number of artworks from the Medieval Period.

    Let us take a look at the very contengecies that you say we can not bring things of the world into the church. King David was not the only one to play the harp. There has been several secular people to use an instament of this kind in their music out side that of a religious nature. Many of the Occults use this instrament for meditation. Buddist, Islam, Confucism, and many others use this particular instrament for their worship times. Yes, you could say that they have adopted it from our King David of old. But never the less they use it.

    The piano is one of the most interesting instraments known to man. This instrament has made so many cross overs into so many styles of music. Clasical, folk, gospel, rock, jazz, and even hip hop. The piano goes back over 1200 years. Many have played it grandly. Bach, Beathoven, Liberachi, Jerry Lee Lewis, Jimmy Swaggert, Ray Charles, and many many more. Not all of these people are Christians, also not has the piano been restricted to just the church.

    The organ is another beautiful instrument. It also goes back many years. Many have played the organ. Yes, yet again it has not been restricted to the church. Many rock bands in the late 1960’s and early 1970’s used the B-3 organ. Again, not restricted to just the church.

    I mention these few instraments because of one reason. These instraments are used in the churches of yesterday and today. By your contengencies alone these should not be played in church. They have been corrupted by the world and are no longer Holy and should be cast out of the church. I say that sarcatically for those that don’t know me.

    My friends you spend too much time on the things are not decidably our judgement to make. Please beleive that we as Christians should not judge any one that plays or listens to contemporary christian music. I will give you a series of scripture to assure you that we MUST NOT judge one another.
    Matthew 7:1
    Judge not, that ye be not judged.
    Matthew 7:2
    For with what judgment ye judge, ye shall be judged: and with what measure ye mete, it shall be measured to you again.
    John 7:24
    Judge not according to the appearance, but judge righteous judgment.
    John 7:51
    Doth our law judge any man, before it hear him, and know what he doeth?
    John 12:48
    He that rejecteth me, and receiveth not my words, hath one that judgeth him: the word that I have spoken, the same shall judge him in the last day.

    So do you know for certain any man’s heart? No! Do you know any man’s mind? No! Now what shall we do with all the judgement we have passed? Thinking that we have the right to tell anyone that may play a tune that we diagree with or do not like?
    John 8:7
    So when they continued asking him, he lifted up himself, and said unto them, He that is without sin among you, let him first cast a stone at her.

    Remember my friend that we must direct love and charity to all that come into our lives. Jesus preached on the mountain tops and in the court yards. According to the Jewish law, although he was a Jew he was not always dressed appropiatly to enter into the temple to worship. Does that mean that if I don’t sing or play your kind of music am I not welcome?

    I will close and say I love you and God bless you and you simple minds. I hope that God will have mercy upon you on judgement day. For we must have an open mind and most importantly an open heart to receive what ever it is that God has in store for us.

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